Who Did the Art Style for Dragon Ball Super Broly
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Naohiro Shintani (新 谷 直 大 , Shintani Naohiro ) is a Japanese animator for Toei Animation who is currently an animation managing director, supervisor and character designer, debuting with this function in the Dragon Ball Super: Broly picture.
Contents
- one Biography
- i.1 Childhood
- i.2 Career
- one.three Work in Dragon Ball
- ii References
- 3 Site Navigation
Biography
Childhood
Shintani started post-obit Dragon Ball past the time he was studying in uncomplicated school in Japan, watching the anime start before reading the manga, as he was very interested in the anime more than the manga. In addition to beingness a faithful follower to the series, he went to the movies with his older brother every year to see the new films that were coming out.
Career
Recognized as a professional and young animator born in Japan, he has worked in the production of different Japanese blitheness works, several of which were directed by Tatsuya Nagamine, who is a close friend of Shintani. His fine art style was influenced by the works of Nagamine and Kazuo Ogura in the productions of the One Piece films, adopting a simple art mode.
Amid his most outstanding works are key animations such as Buddha, Kaidan Restaurant, Kyōsōgiga, the Ane Slice anime forth with the One Piece TV special "3D2Y": Overcome Ace's Death! Luffy's Vow to his Friends, One Piece Flick: Z, Pop in Q, Toriko and different blithe productions of Pretty Cure All Stars.
Piece of work in Dragon Ball
Naohiro Shintani debuted as an animator in the Dragon Ball franchise with the 2008 OVA, Dragon Ball: The Return of Son Goku and Friends!, beingness involved in several central animations in the special, but he would not take a bigger role in Dragon Ball until he was granted the role of blitheness supervisor of the 2018 picture Dragon Ball Super: Broly, past means of an audition in Toei, being again under the direction of Nagamine.[one] Toriyama selected Shintani from among several other people who auditioned for the job because Toriyama personally saw him as the most suitable to take this role in the film with Nagamine.[2] In that audition, Shintani drew the characters, Goku, Vegeta and Bulma, to whom Toriyama had more than business for and was impressed with his fine art style. Shintani said this was his starting time fourth dimension drawing things from Dragon Ball, despite working for Toei Animation and having made key animations on Dragon Brawl: The Render of Son Goku and Friends!.
Shintani drew his first promotional affiche effectually Feb of 2017, taking his wife's thought of having Goku hold his Ability Pole, which is based on a manga cover where Gohan holds a staff in a similar pose. He then handed out his graphic symbol designs in a draft in Oct of the same year. Toriyama did non correct his version of Goku, merely was extremely fussy when information technology came to his art fashion of the female characters. Since Toriyama's fashion varies depending on the era, information technology was hard for Shintani to know which drawings to emulate. Shintani personally liked Minoru Maeda'due south fine art style and hoped to put that style into his work. Every bit he was not used to drawing Dragon Ball, Shintani also studied the designs of Tadayoshi Yamamuro and watched the classic movies. Upon learning that the flick would focus on Broly, Shintani felt cornball, but also the force per unit area to alive up to fan expectations. Being that Toriyama'south version of Broly is different from Takao Koyama'due south version, Shintani felt that this might exit a strange sensation to the average nostalgic fan, but he still hoped that old and new fans would enjoy the movie. Shintani has non had much experience in the past with muscular characters in anime, which made adapting Broly a challenge for him. In add-on, he tried to stay true to Toriyama'due south current and slimmer designs, and so he gave the character a mixed awareness between the thinness of Toriyama's modern way and muscular designs. Shintani normally does non like to utilize a lot of shading for scenes during the daily and peaceful life of characters, and then he saves information technology for the boxing scenes instead. In this way, more shadows in the drawings tell the audience that the characters volition fight seriously, while highlighting the muscles of the characters.
Shintani'south designs are simple and friendly for the animators, proportionally realistic, look correctly from a frontal perspective and maintain features of both the modern and ancient style of Toriyama's art, equally well every bit those of Minoru Maeda. Another remarkable characteristic of how it is used when working is that, different most of the animators in Japan who illustrate and breathing with pencil and paper, Shintani draws mainly digitally.
References
- ↑ Shintani is given the role of supervisor through audition. dbmovie-20th.com.
- ↑ Toriyama selects Shintani subsequently audience. Twitter (Apr 21, 2018).
| Dragon Ball Production Staff | |
|---|---|
| Companies | Bird Studio • Caramel Mama • Shueisha • Toei Animation |
| Author(s) | Akira Toriyama • Naho Ooishi* • Toyotarou* • Yoshitaka Nagayama* |
| Administration | Takashi Matsuyama |
| Editors | Kazuhiko Torishima • Yū Kondō • Fuyuto Takeda • Shinichi Fukumitsu* • Daisuke Terashi* • Akio Iyoku* • Victory Uchida* |
| Directors | Minoru Okazaki • Akinori Nagaoka • Kazuhisa Takenouchi • Daisuke Nishio • Mitsuo Hashimoto • Takahiro Imamura • Shigeyasu Yamauchi • Yoshihiro Ueda • Masahiro Hosoda • Yasuhiro Nowatari |
| Producers | Keizo Shichijo • Kōzō Morishita • Kenji Shimizu • Tamio Kojima • Chiaki Imada • Rikizō Kayano • Tomio Anzai • Tsutomu Tomari • Tan Takaiwa • Seiichi Hiruta • Kōji Kaneda • Gyarmath Bogdan • James Wong |
| Production managers | Kazumi Fujioka • Matsuji Kishimoto • Take Torimoto • Akihiko Yamaguchi • Yuichi Suenaga |
| Screenwriters | Takao Koyama • Toshiki Inoue • Keiji Terui • Yoshifumi Yuki • Katsuyuki Sumisawa • Hiroshi Toda • Aya Matsui • Atsushi Maekawa • Yūsuke Watanabe • Ben Ramsey • Akira Toriyama |
| Art directors | Mitsuo Shindō • Yoshiyuki Yamamoto • Kunio Kaneshima • Iwamitsu Ito • Hiromitsu Shiozaki • Yuji Ikeda • Shigenori Takada • Masahiro Shimanuki • Ryuuji Yoshiike • Hiroshi Katō • Teppei Horita |
| Anime designers | Minoru Maeda • Katsuyoshi Nakatsuru • Tadayoshi Yamamuro • Naohiro Shintani |
| Animators | Masayuki Uchiyama • Naoki Miyahara • Naotoshi Shida |
| Special Furnishings | Hidenori Arai • Nao Ōta |
| Music composers | Shunsuke Kikuchi • Chiho Kiyooka • Akihito Tokunaga • Kenji Yamamoto • Norihito Sumitomo • Shuki Levy • Kussa Mahchi • Ron Wasserman • Bruce Faulconer • Julius Dobos • Mike Smith • Scott Morgan • Andy Baylor • Dale Kelly • Marker Akin • Scot Risch • Tom Keenlyside • John Mitchell • David Iris • Marking Menza • Dave Moran • Nathan Johnson |
| Vocalists | Hironobu Kageyama • Takayoshi Tanimoto • Ayumi Hamasaki |
| Voice actors | Japanese voice actors • Blue Water voice actors • Body of water voice actors • FUNimation voice actors |
| Serial | Dr. Slump • Dragon Ball manga • Dragon Brawl anime • Dragon Ball Z • Dragon Brawl GT • Dragon Ball Kai • Dragon Brawl Super manga • Dragon Ball Super anime • Dragon Ball video games • Related manga |
| Blitheness Supervisor | |
|---|---|
| Dragon Brawl Super | Masahiro Shimanuki • Yukihiro Kitano • Osamu Ishikawa • Yoshitaka Yashima • Naoki Tate • Yuichi Karasawa • Seizo Toma • Hiroyuki Itai • Koji Nashizawa • Hirotaka Nii • Tadayoshi Yamamuro • Shuichi Iseki • Yasuhiro Namatame • Tsutomu Ono • Shuuichiro Manabe • Yoichi Onishi • Yuya Takahashi • Eugene Ayson • Paul Año-Nuevo • Joey Calangian • Noel Año-Nuevo • Chihiro Tanaka • Kaori Takamura • Masanori Satō • Hideki Yamazaki • Midori Sawaki • Yui Kinoshita • Tomoko Kusunoki • Yuuji Hakamada • Miho Tanaka • Naohiro Shintani |
Source: https://dragonball.fandom.com/wiki/Naohiro_Shintani
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